What is the state of cinema and what being a filmmaker means? What are the measures taken to protect authors' copyright? What is their legal status in different countries? (Sequel to “Filmmakers vs. Tycoons.”)
The Definitive Elvis: Elvis and the Colonel
2002-03-31
Barbara Stanwyck: Fire and Desire
1991-07-15
Marie Antoinette: A Film by David Grubin
2006-11-28
Highly Classified: The World of 007
1998-01-01
Making Waves: The Art of Cinematic Sound
2019-10-25
Sword-and-Sandal: The Story of the Period Epic
2019-04-14
Two, Three Times Branco
2018-10-28
Paul Auster: What If
2019-02-12
Laurel & Hardy: Their Lives and Magic
2011-12-28
Thunder Over Mexico
1933-09-22
Yul Brynner, the Magnificent
2020-12-02
Auge in Auge - Eine deutsche Filmgeschichte
2008-07-03
Rochefort, Marielle, Noiret: Les copains d'abord
2021-12-13
To Make a Comedy Is No Fun
2016-10-05
The Arrival of a Train at La Ciotat
1896-06-30
The Indomitable Teddy Roosevelt
1983-01-01
Exorcismo: The Transgressive Legacy of Clasificada “S”
2024-10-03
Trespassing Bergman
2013-08-28
Grizzly Man
2005-08-12
Life Itself
2014-07-04